The phone rings but no one remembers how to answer. The sound threads through her jaw like a nerve rekindling. Each ring is a pulse, each pause is a breath her body forgot to take, another heartbeat her mouth cannot claim. She opens her mouth, but words burn and crumble on her tongue like burnt paper, ashes caught between teeth. Once, she carried every voice inside her, a river of syllables rushing behind her teeth. Now the current has turned to smoke. Only static builds between syllables, a low hum of unspoken names. Someone keeps whispering from the dial tone, a child, a lover, a god. She cannot tell which. Their voices melt together, salt and blood and static in her throat. She touches her lips and finds dust. Her tongue splits where vowels used to bloom. Memory is not gentle. It claws upward through bones and muscle, seeking light. When it reaches her mouth, it trembles, half song, half wound. She learns to speak again, but the words come out wrong: wet and red, trembling like new flesh. She presses her hand to her throat and feels them move, these small, broken resurrections of sound. Every silence remembers her.
Mnemosyne in Dementia
Betty Stanton
Three Questions for Betty
What inspired your choice of genre and/or form for your work?
I’ve been working on a chapbook series of prose poems that takes women from classical myth and reimagines their moments of pain. This poem came out of that same work, but didn’t quite fit with the project.
What was your creative process?
I tend to write in messy bursts, and then set things aside for a very long time before revision.
What is the significance of this work to you?
As I get older, I’ve watched so many strong women in my family face physical, medical struggles. The history of cognitive loss with issues like Alzheimer’s is strong in my family, and I’ve been reflecting a lot on that and other family medical struggles in my work recently.
Betty Stanton (she/her) is a Pushcart nominated writer who lives and works in Tulsa, Oklahoma. Her work has appeared or is forthcoming in various journals and collections and has been included in various anthologies. She is currently on the editorial board of Ivo Review. @fadingbetty.bsky.social